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The Crüxshadows at Technoir


The Crüxshadows
Juli 10th 2004
Technoir, Kolingsborg, Stockholm


For quite some time people have been telling me that The Crüxshadows is a real kick ass live experience. Oh well. At Tech Noir, at about 01:00 a.m., hundreds of people have gathered in front of the stage. The curtain falls and there is no sign of the band. Instead two guys who are not in the band are doing their best to get the audience excited by standing on the stage screaming. After almost ten minutes the band finally enters the stage and starts playing, but not the whole band. The vocalist is not actually ON stage when he starts singing, but in the middle of the audience equipped with a wire-less headset microphone. He climbs the stage and starts flashing with two flashlights while the two cheerleaders on his sides are totally out of sync waving pieces of fabric.

At this time someone should have walked cross the stage with a sign saying, "Go home, the fun ends here". In that way a lot of people would have been much less disappointed, and would still have their hearing intact. The show is really boring. Nothing further than the already mentioned happens, and it happens all the time. On almost every song the vocalist jumps off the stage and run around the audience instead. This was quite a cool way of starting the show, but doing it all the time really kills the effect of it. The cheerleader girls manage somehow to be totally unsynchronised the whole concert through, except for at some points when it looks as they might have caught a glimpse of what the partner is doing. To be fair I should say that one of them seems to know her moves quite well, but the problem is that the other one does not. The violinist is probably very talented but I never really get a chance to find out since all the time she's playing there are another five pre-recorded violins screaming from the backtracks, and screaming is the right word. I have very rarely heard such a crappy concert sound. The bass is shaking the ribs out of my chest and the treble is absolutely unendurable. Between the low and the high frequencies there is nothing. The sound engineer looks like all he wants is to get home as soon as possible. There is no chance in the world to hear one single word the vocalist says between the songs. There is furthermore no chance in the world to hear one single note the guitarist is playing either. But I don't blame only the engineer for that. There is no reason using guitars in this kind of music at all, it just looks cool on stage. That is probably another reason for the guitar not to be heard.

Maybe the vocalist of The Crüxshadows should re-think he's project, kick out the people whose presence is not needed and go on a solo tour with his gothic cheerleader chicks instead.

It's nice that Tech Noir are booking a band like The Crüxshadows that so many people wants to see, but it's sad that The Crüxshadows themselves haven't got a better sound crew. The biggest problem though, is that The Crüxshadows after so much touring can't do better.

/Andreas Nilsson


Interviews/Features:
- Femme Fatality ('09)
- Nitzer Ebb ('06)
- Tinitus/Daniel Jonasson ('06)
- Covenant ('06)
- The Last Dance ('06)
- Cryo ('06)
- Iambia ('06)
- To Avoid ('05)
- Retractor ('05)
- Red Cell ('05)
- Infected Mushroom ('05)
- The Faint rocks the rest! ('05)
- VNV Nation ('05)
- The 69 Eyes ('05)
- Necro Facility ('05)
- Sero.Overdose ('05)
- 8kHz Mono: music in green and black ('05)
- Assemblage 23 ('04)
- Run Level Zero
- C-Drone-Defect ('04)
- Bishop Allen – D.I.Y. across the Atlantic
- Covenant ('04)
- Pluxus ('04)
- Univaque ('04)
- Clint Carney - System Syn ('04)
- Mayte Cruz - Lethargy
- Alex Matheu ('04)
- Feindflug ('03)
- Los Fancy-Free ('03)
- DJ Rexx Arkana ('03)
- DAF ('03)
- The Pain Machinery ('03)
- Covenant ('02)
- VNV Nation ('02)
- KMFDM ('02)
- Apoptygma Berzerk ('02)
- Negru Voda / Megaptera ('02)
- Tiamat ('02)
- Malaise ('02)
- Z Prochek ('02)
- Noisex ('01)
- Scapa Flow ('02)
- Run Level Zero ('02)
- Passion Play ('01)
- Black Tape For A Blue Girl ('01)
- Adenosine Tri-Phosphate ('01)
- Funhouse ('01)
- VNV Nation ('00)
- Welle: Erdball ('00)
- The Last Dance ('99)
Concert-/Festival reports:
- Das Boot 2010
- Monitor Festival 2009
- Container 90 - Bodytåget ('08)
- Das Boot 2008
- Portion Control in Borås ('08)
- Das Boot 2007
- Tinitus '06
- Arvikafestivalen ('06)
- Ilosaarirock ('06)
- Wave Gotik Treffen ('06)
- Tinitus ('05)
- M'era Luna festival 2005
- Arvikafestivalen 2005
- Wave Gotik Treffen 2005
- Get Electrofied 2005
- A small guide to the summer of 2005
- electriXmas 2004
- Interpol
- Bombs over Blekingska
- Interlace, Cryo at Vogon Varitey
- Late report from The Subspace Encounter ('04)
- Roskilde Festival 2004
- M'era Luna festival 2004
- Zillo-festival 2004
- Arvikafestivalen 2004
- The Crüxshadows at Tech Noir
- Electrostorm Fest
- Hultsfredsfestivalen 2004 – being there
- Hultsfredsfestivalen 2004 – watching bands
- VNV Nation live in South Africa
- More than a party - 2004
- Sonikafestivalen 2004
- Kraftwerk live at Cirkus in Stockholm ('04)
- A night at NEMCOM (Swe) ('03)
- Electric Gathering Festival ('03)
- Arvikafestivalen ('03)
- Hultsfredsfestivalen ('03)
- Martin L. Gore live at Nalen, Stockholm ('03)
- SAMA ('03)
- Maschinenfest ('02)
- Arvikafestivalen ('02)
- Norbergfestivalen ('02)
- Malaise & Dödens Lammungar '02
- Depeche Mode '01
- Arvika festival '01
- The Mission '00
- Tinitus '00
- Doomsday '00
- Wave Gotik Treffen '00
- SAMA '00
- Wave Gotik Treffen '99